1. Double page spread: This is a long shot, of the the artist sitting on a bench. The artist is showing an indirect address, this is unappealing as it makes the artist seem almost uninterested, her facial expression supports this. The fact that the artist is taken more naturally, not posed is particularly appealing as it makes the image look more personal, and the audience more involved. The lighting in this image is quite dark, which will make it harder to edit later, also the outline of the artists hair will be hard to crop.
2.
Double page spread: This is a mid-long shot of the
artist. The artist is showing a direct address which is particularly appealing, it communicates directly with the audience, she is also smiling which portrays her more positively.
The fact that the image is closer is also more appealing as it shows more of the artists clothes, but also makes the image of the artist clearer, which is ideal when editing the photograph. The lighting is also catching the artists face in this photograph drawing attention to her facial expression. The clarity of the images is also ideal, the artist is fully in focus. The hair of the artist however, will be hard to crop around.
3. Double page spread: This is a mid shot of the artist. The artist is showing an indirect address, this deducts the more personal edge to my magazine. However, the photograph is taken closer making the image of the artist clearer, which is ideal when I go to crop the artist out. The lighting in the image is ideal, its natural, yet not too dark, hence, it will be easy to edit to fit the other images on the double page spread. The artist is smiling which is ideal, it gives the magazine a more personal edge and makes the photograph look more natural and not posed.
4. Double page spread: This is a mid-long shot of the artist sitting down. The lighting in the image is reasonable but a tad dark, the artists face isn't catching the light too successfully. However, the clarity of the image is ideal, the artist is fully in focus. The fact that the artist isn't looking at the camera is very unappealing it makes the artist seem uninterested and uncaring. The artists clothing are also clearly shown which is ideal for the target audience of predominantly females.
5. Double page spread:This is a mid-long
shot of the artist leaning almost casually.
This image would be used to show the artist
leaning on a pull quote. The artist isn't looking
at the camera, this is unappealing as it makes
it seem the artist is uncaring, supported by her
casual stance, and the fact her hands are in her
pockets. The artist however, although looking
away from the camera, is smiling this is appeal-
ing as it makes the artist look more warm and
inviting, ideally presenting the artist in a pos-
ative way. The image, being a mid-long shot, is
very clear. Another negative aspect is the fact
that not all of the artist costume is shown, this
is particularly unappealing as it, is important all
of the costume is shown to create a convincing
portrayal of the artist.
6. Double page spread: This is another mid-long
shot of the artist in the same stance as the last
image. In this image again, the artist is not lo-
oking at the camera, this is unappealing as it de-
ducts from a more positive portrayal of the artist.
The artists facial expression in this image how-
ever, isn't ideal, as it makes the artist seem unc-
aring, and almost unhappy. Again, giving a ne-
gative portrayal of the artist. The lighting in both this
image and the image above is also too dark.
However, the light is catching the artists face quite
well, which is ideal. Also the artist boots do particu-
larly stand out in comparison to the rest of her
costume due to
the lighting.
7. Double page spread: of the artist.
This is a long shot of the artist, just slightly
further away than a mid-long shot. The artist is
looking at the camera, giving a direct address to
the camera, and subsequently the audience,
making them feel more personally involved
when reading the article. Also, the artist is smiling
which is ideal, as it again, makes the audience
feel more personally involved and makes the
sense of the article and the portrayal of the artist
more warm and inviting, enticing the reader to
read on. The lighting in this image is also quite
appealing as it is catching the artist face quite well,
accentuating the artist smiling expression. The
costume is also more visible in this image, but not
fully shown which is unappealing.
8. Double page spread: This is a long shot
of the artist casually leaning, and smiling. This
image particularly depicts a more naturalistic
style, portraying the artist as more down to
earth, which is appealing to the audience as
consequently they feel more personally
involved. Th artists smile seems almost inviting,
or possibly, cheeky maybe, definitely a more
personal smile, again connecting with the
audience, The lighting in this image is also
very good as it is bright, yet not too bright
that it would take attention away from the
other features on the page. But, bright enough
to be easily manipulated on Photoshop. The
artists costume is also relatively well lit in the
however the costume again, isn't fully visible
because of the angle the artist is positioned.
9. Double page spread: This is a long shot of
the artist strait on, but, looking away from
camera, showing an indirect address. The li-
ghting in this shot is good, it is catching the
the artist is quite far away however, does
make the lighting less as strong. This will
affect the later editing on Photoshop, as
well as it making the image of the artist
less as clear. The artists facial expression
isn't uncaring, or looking away, it yet
it isn't particularly inviting, or smiling.
This is unappealing, leading me to think
that the audience will feel the artist is
disconnected, turning them subsequently
away from the artist, and the article.
10. Double page spread: This is a long shot of
the artist standing. The artist is looking
directly at the camera, this is appealing
as it makes the artist seem more, open and
welcoming, on a more personal level, con-
ecting with the audience. The artist is also
smiling, which again reinforces the idea of
her being welcoming, it also makes the art-
ist seem more upbeat and presents her in
a positive light. The costume is fully visible
in this image, which is ideal. The lighting
however, isn't ideal, and doesn't light the
costume ideally. Also the way the artist is
standing with her hands in her pockets could
be construed as uncaring, which is a negative
portrayal of the artist.
11. Double page spread: This is a mid-long
shot of the artist. The artist is looking at the
camera which is ideal, but her eyes are fully
visible which isn't good as it means the audi-
ence aren't fully able to connect with the ar-
tist visually. Her facial expression, although
it seems natural; which would appeal to the
audience as it makes the artist seem more real
and down to earth, it does seem that the pic-
ture has been taken when the artist is off guard
and not expecting it. This is unappealing as it
makes the article less as serious, or professional.
The lighting is a tad better in this image, it seems
to be catching the artists face quite well. But, again
the artists hands are in her pockets implying that
she is uncaring, giving a negative portrayal of the
artist.
12. Front cover: This is a close-up shot of the artist, to be used in the front cover of my magazine. The lighting in this image, seems to be relatively dark, however, this in the editing process can be changed. She is showing a direct address this is ideal, as accompanied by her smiling face, it makes her seem inviting and confident. Her costume is also partly visible, as we as her long her.
13. Front Cover: This is a mid-close up shot of the artist smiling whilst looking directly at the camera. Her smile, and the fact she is looking at the camera makes her seem inviting, the angle the shot has been taken at (eye-level) also makes the shot seem more personal, which is ideal for a front cover as it will draw the reader in. The lighting is also brighter in this image which is ideal for editing. More of the costume is also visible in this image. Hence, I have chosen to use this image for my front cover.
14. Front Cover: This is a mid-close up of the artist smiling. In this image however, the artist is slightly turned away from the camera, this would be unconventional for a front cover as it makes it seem the artist is leaning away from the camera, which isn't ideal. However, the lighting in this image is a tad brighter, and the costume is slightly more visible, as well as the artists hair. Although, the artist is looking at the camera and smiling which is relatively inviting.
15. Front cover: This is a close up of the artist. The lighting in this image is relatively dark, this will make it harder to edit afterwards when creating the magazine. The fact the artist is looking away from the camera also makes it seem she is uninterested and careless, supported by the fact she is not smiling. Although the clarity of the image is appealing, and it has been taken at eye-level which again makes it seem more personal. However, the costume is barely visible, which isn't ideal.
16. Front cover: This is a close up shot of the artist. The artist is showing a direct address, and it is taking at eye-level, which makes the image connect personally with the audience. However, the fact the artist is not smiling isn't ideal, as it makes her seem unhappy portraying a negative conception of my artist. The lighting also is too dark to be edited which isn't ideal. The costume is also barely visible which isn't ideal.
17. Front cover: This is a close up shot of the artist. The lighting in the image is bright, lighting the artists face quite efficiently. The artist is also ideally in focus which is ideal for a front cover. However, the artist in this image looks almost sad. Although it is more conventional to have your artist almost pouting in an image, in this instance I feel this connotes a negative perception of my artist. Her costume in this image is also barely visible, as well as her hair almost completely being out of shot.
18. Double page spread: This is a long shot of the artist. Although the lighting is quite dark, I have used an unnatural light source, to light up the artist. The artists costume is clearly shown in this shot which is ideal for cropping however, her shot is slightly cut off at the bottom of the shot, which isn't ideal for when cropping the image. The shot is taken at eye level, which in this instance works very well as when cropped it will make the artist look flatter on the page, making the editing more natural. The artists head is slightly turned at an angle, whilst smiling, this in someways makes the artist look shy, as if she is shyly turning away from the camera. The way she timidly is holding her hands supports this. However, the way she is holding her hands could also imply she is trying to be more confident, this could be inspiring for the young target audience.
19. Double page spread: This is a long shot of the artist. In this image the artist is confidently, almost comfortably smiling. This confidence could be inspiring to the young audience, it could also be comforting, allowing them to connect personally with the artist. However, in this image the artist is showing an indirect address. This is not ideal, as in this instance, the artist looks as if she is gazing into the distance, hence, once the artist has been cropped from the image, it may look as if she is gazing off the page. Ideally, the artist is fully on the page, with all her costume visible, however, as the shot has clearly been taken further back the artist is less as in focus as the previous image. This essentially will make her look less as clear when on the page. Although, the lighting in the image is very good, lighting the artists face quite well.
20. Double page spread: This is a long shot of the artist taken at a low angle. In this image the artists positing is ideal, she is standing confidently and comfortably. The lighting is also very good in this image, and the costume clearly visible. The artists facial expression in this image however, is not ideal. She is smiling almost embarrassingly in this image, and is showing an indirect-address. This makes her seem almost uninterested, which will be evident when she has been cropped from the image. Although overall the quality of the image is very good, I do not feel is gives an overall positive representation of the artist which is very important, when presenting the artist on a double page spread.
21. Double page spread: This is a long shot of the artist laughing. The artists costume is clearly shown, as well has her hair long hair standing out a lot in this shot. As well as her boots, also clearly being shown in this image. The lighting in this shot although nighttime, the artist has been lit unnaturally to light her up for the photograph, this is ideal as it makes the artist easier to crop from the image, and to later edit. This shot particularly portrays the artist in a positive way. As, firstly the artist is laughing, this makes her seem more down to earth, and an upbeat positive person. The artist while she laughs is covering her face shyly or embarrassed, this again, makes her seem more down to earth. Overall the fact she is laughing will make the audience relate personally, allows them to form a personal relationship with the artist. I have chose to use this image, as accompanied with the other image it is an ideal image.
22. Contents page: This is a close up shot of a union to be used as a background. Although I particularly like the messy style of this union jack, I feel the image may be too blurry as the camera, must not have been in full focus. Also, the image seems too bright, presumably the photograph has been taken with the flash on, resulting in a blurred, unnaturally bright image.
23. Contents page: This is a close up image of a union jack, taken to be edited for the background of my contents page. The image is quite clear, however, when edited I could simply adjust the contrast to improve the clarity of the image. The lighting is better in this image, again, making it easier for later adjustments. Again, I particularly like the messy almost, graffiti style of this flag, as it is quite fitting with the genre of music.
23. Contents page: This is a close shot of a union jack to be edited and used on my contents page. The lighting in this image, as the photograph has been taken using flash, is unnaturally bright. This is unappealing as in the creative stage of making the magazine it essentially makes the magazine harder to edit. The image is also slightly blurred, which isn't ideal. The fact that the flag is not central is quite appealing as it making the flag look more unique.
24. Contents page: This is a close up shot of a union jack to be used on my contents page. The lighting in this shot is relatively good, although slightly too bright this can be sorted on Photoshop. There is a slight shading in the bottom corner of the image, this is not ideal as it will effect the editing process. However, I do like the way the flag is bending inwards, again, it gives the flag a more unique quality.
25. Contents page: This is a close up shot a union jack to be used on my contents page. Unfortunately a part of the background has be caught in this image, although this can be cropped. The image is also quite blurry although the colours do particularly stand out in this image. The light however is too bright, making the white in the image significantly blurrier.
26. Contents page: This is a close up shot of a union jack. The distortion of the shapes in this union jack are particularly attractive as it creates an edgy urban effect. However the quality of the image is not very good. The lighting is very dark, at the edges there is a dark shadow which would effect the editing process. The image is also very blurry.
27. Contents page:This is a close up shot of a union jack. Although I like the messy, urban style of this union jack. However the image is blurry and unclear which would make it extremely hard to edit. Also, the colours in the image are slightly weak. The light is also too bright to be edited.
28. Contents page: This is a close up shot of the same union jack. Again, I like the urban edgy look of this union jack. However, the image is blurry, which makes it harder to edit. The lughting is also a tad too bright to be edited.